Bics and Pieces

"Wow", as Tony Shahloub said in Galaxy Quest, "That was one hell of thing!".

The Death Star like Think Tank at Millenium Point

I think I have the shellshock under control now, apart from the tw-twi-twitching! But where to start? I started making some nice neat notes of everything that happened that I need to mention and it's ended up looking like the scribblings of a madman.

Let me try and break it down for you...

Very Special Thanks

The important bit first, then.

• Huge thanks to Shane Chebsey and James Hodgkins for organising a wonderful show yet again. The effort that goes into making something like this happen is mammoth, and I hope they are now having a well deserved rest.
  
  
  
• Special thanks to Lauren Anne Sharp for creating the Insomnia Trailer (which I will be putting up on youtube very soon) that was playing on the screens throughout the show.
  
  
• Thanks also to quilt artist Ferret for bringing along the showstopping Bad Rain quilt (I don't know if quilting books have ever sold at a con before this one, but we always like to be a the bleeding edge!),

Stephen Downey and Alasdair Duncan with Bad Rain

• Our unbounded gratitude to Sarah McIntyre who did an amazing job interviewing Michiru Morikawa in the brilliant panel about her work on the Sunday. She also invited Jeymes Samuel join in to talk about the comic and the upcoming Buskers film and the panel was described by Matthew Badham of Down The Tubes as "one of my personal highlights of the whole weekend." in his write up of the show.
  
  
• It was great to have so many Insomnia creators come to the stand over the weekend for signing and sketching. Not only was it lovely to see old friends we've been working with for a while now, and to meet others in person for the first time, but to hear you all talking so passionately to visitors about your work, and seeing their response is fantastic. Having people there from all around the world really brought home what an international family we are.
  
  
• To everyone who came to the stand to pitch, show portfolios or leave submissions, thanks for taking the time to do so. The standard was incredibly high once again, and seems to be increasing each year. I will hopefully have some news to come out of some of these discussions in the coming weeks.
  
  
• Of course this would not be complete without thanking everyone who came by the stand to buy books, look at previews, talk about what Insomnia is up to and what we are all about. We do it for you, you know :)

Book Launches

The con saw the first public appearances of Burke and Hare (Martin Conaghan and Will Pickering) and Buskers (Jeymes Samuel, Sean Michael Wilson and Michiru Morikawa).

I saw lots of people just gazing at and even stroking the beautiful cover designs by Rian Hughes (Burke and Hare) and Richard Johnson (Buskers). Seeing them join all the Insomnia books in a row on the table made my little heart swell with pride - I felt like a kitten in a cream factory.

Martin Conaghan and Will Pickering with Burke and Hare

When I say that Alasdair, valiantly manning the sales table, did not stop for a break the whole weekend I mean that literally. He didn't even get away for lunch, or a quick cup of tea, and had to snap quick bites of his sandwiches as an when he could! At several points I could not get back to the stand for the deep crowd around it!

Copies of Burke and Hare were going by the boxload, and the special con edition of Buskers with CD all but sold out. We have only a few copies left for the MCM Expo show in 3 weeks, so anyone who wants to be sure of getting a copy might want to order it from us directly before then.

Following Michiru's interview on Sunday we had a point where we literally could not get the books onto the table quickly enough for people to buy them and get them signed. It sounds like Crawford will be making a visit to the film set soon, but more and that (and pictures we hope!) in the coming weeks.

Michiru Morikawa and Jeymes Samuel with Buskers

Sadly we could not even get away to the Sunday panel for publishers and retailers to explore how to improve sales in the current market, as we were too busy selling! People were still coming up to make last minute purchases as the stand was being packed away. Alasdair had to retrieve the cashbox from where it had been packed away, get copies back out of their boxes again.

Given the current economic climate all we can say is "Thanks everyone!"

Reviews and Interviews and Podcasts

There was quite of bit Insomnia based podcast activity going on before and during the show:

• Cy Dethan talks about Cancertown and his upcoming work on Comic Book Outsiders and why Richard McAuliffe thinks he is "...a lovely bloke, but one intense looking Motherf**ker"
  
  
• The Geek Syndicate do the first ever review of Burke and Hare, coming to the conclusion that the book conclusively proves to them that "comics are a medium, not a genre". Way to go Martin and Will!
  
  
  
  
• The Sidekick podcast fought their way to the stand and interviewed Alasdair about Insomnia and what we get from doing events like this, and Martin and Will about the launch of their book. "I was truly blown away...These guys have lived and breathed this story and it shows in every part of this chilling and macabre production."
  
  
• Just in time for the show the guys at the Temple APA brought out a mammoth size issue 5 which has a large section on Insomnia including interviews, reviews, previews of upcoming books and some never before seen artwork. We have David Hailwood and John Kirkham to thank for bringing this monster to life.
  

New Signings and Teams

We are pleased to announce:

• Lauren Ann Sharpe joins the Quarantine team as colourist, along with Michael Moreci, Monty Bloor and Jim Campbell. This is her second Insomnia book and long may it continue.
  
  
• Shock Theory by Celeste Sharp:
  
  "After a horrific tsunami, England is abandoned and forgotten; even by history. Rising from dark times, a single city known as Hubris is suspended in the Sky, providing a new life based on technology and social order. The N.O Government has put the clocks back to zero and reinvented London as a completely clean slate for a prosperous society and economy... But Hubris wasn’t just built on the ruins of London; it was built on shock. "
  
  Set in a dystopian England, where the totalitation regime uses the Techframe to control its citizens using shock and sedation, Shock Theory draws on the dystopian heritage of George Orwell and Philip K. Dick, woven with theories of investigative journalist, Naomi Klein, to follow Eva and her companions as they attempt to unravel the sinister nature of Hubris and offer the only resistance to the tyrannical Dr.Shock and the New Order government.
  
  
• Gamebreaker by Cy Dethan
  
  "Those who even remember the legend of Bloodshot Iris and her insane, megalomaniacal schemes consider her a myth. They’re right – and like all great myths there’s a potent, even dangerous, nucleus of truth at her core. When the greatest villain of the Cold War emerges from retirement to reintroduce a disaffected world to the glorious chaos it once knew, she has only one target in mind – her nemesis, the ultimate superspy: Capablanca."
  
  Spiralling Insanity returns to the British spycraft scene as the last remnant of the Cold War makes her bid to kick-start the era of the psychedelic super-spy
  
  If you visit Cy Dethan's blog you can brave The Citadel of Comics: A Fantasy Convention in which YOU are the hero and experience the trials and tribulations of convention pitching yourself.
  
  It may be the maddest blog post ever made - you have been warned!
  
  
• Dream Solver now has it's own blog where you can follow the progress of the book in production.
  

Best of The Rest

• Walking through the door on the first day of the con, what was the first table I encountered? Why it was the good Dr Bryan Talbot himself. Pouncing on a copy of Grandville as soon as I could, before even going to the Insomnia stand, he sketched a badger in the front of it while we had a good chat about how the book was doing (very well, with a seque, Grandville, Mon Amour, already underway), how great it has been to have his intro to Cancertown, and the possiblity of a Luther Arkright sequel as he mentioned in a recent interview on the Forbidden Planet blog last week. We went to his talk later in the day and it was mind blowing. The man is truly a comics god.
  
  
  Bryan Talbot (borrowed from Down The Tubes)
  
  
  Bryan is doing the talk at a number of locations as part of the launch tour, and you should try to catch it.
  
  
• Had a lovely time chatting to the lovely Fetishman creators, while coveting a beautiful coat that one of them was wearing, and admiring his magnificent moustache. They do a hilarious illustration of just how absurd some of the proposed new laws are that could affect comics - but you'll have to catch them at a con and ask them to do it. Describing it in words would not do it justice!
  
  
  The Fetishmen!
  
  
  

  And if you haven't encountered Fetishman before you should buy it. It's up to issue 9 now and it is laugh out loud funny.
  
  
  
• The Robosteel sculptures were truly a sight to behold with their 2.5metre sculpture of a Transformer, made all from scrap metal and weighing 155kg!
  
  They do smaller pieces as well - and I think that one of them is going to find a new home with me as soon as my house move is done.
  
  
• I got to catch up with Tony and Martin. the C2D4 crew, eat their sweets and admire their new collected edition of Jack In The Box.
  
  
• Shout outs to our friends at Markosia, Monkeys With Machineguns, Orang-Utan comics, Timebomb, Murky Depths, Comic Book Outsiders, Geek Syndicate, Small Press Big Mouth and Comic Racks - I wish I could have spent more time with you!
  

Special Offers

We will extending our convention special offers for those that could not make this show or cannot get to the MCM take a look at our website for details on how to order.

... And Finally

Crawford made a very special visit to a secret location before flying back to Edinburgh on Monday. Hopefully I'll be able to tell all about that next week!

Until then...

Insomnia Pitch and Portfolio Review FAQ

BICS 2009 is less than one week away. To say we are excited is something of an understatement, and one of the highlights of any show for us is the chance to talk to creators about new pitches or portfolios.

Knowing from experience how awful it is, unless you have superhuman confidence (or at least the ability to fake it!), to have to walk up to a publisher's table at a busy con, especially if it is your first time, and try and start a conversation you can steer around to "do you want to hear my pitch / see my portfolio" I thought I would dedicate this last post before the show to try and make it a bit easier for people to do just that.

Thanks to our creators who suggested a lot of these topics as being things they would have liked to know when they were starting out or approaching a new publisher for the first time.

Our full submission guidelines, details of our publishing model, and how our contracts work can be found over on the website, but hopefully this FAQ will cover things that are show specific.

Q: Can I submit as a "lone creator" or do I need to have a finished product or a full team ready to go?

A: You can submit as a "lone creator" in any discipline. We will put teams together, we consider that a key part of our role as publisher.

Writers need to make a submission for a creator owned book, we do not commission writers as freelancers that we assign to books.

Artists (including pencillers, colourists and inkers) and letterers, you need to let us know what kinds of project you are interested in working on in terms of subject matter, artist role, and length.

We also accept "team submissions" of course.

Q: Is there a certain way / time to approach you and start the conversation?

A: Apart from the the helpful answer provided by one of our writers (Christopher Barker) ,when asked about this, who said:

"I found that, when approaching Nic at a convention, moving quietly and approaching from the side is your best bet. Her eye-sight is based on movement and sudden actions tend to startle her. Bring some sugar and gently stroke her nose... wait that aint right! :/"

the short answer is no, there is no "proper way" to do it. There is no secret password or special handshake. There will be at least one of the Insomnia team on the stand at all times during the time the con is open (see list at the end for names).

Just tell whoever you speak to what it is you have come to talk about or show us, and if they are not the right person then they will either find the one of us you want, call us for you, or let you know when to come back.

Remember that finding new talent is one of the key reasons we come to shows, so we WANT to talk to you.

As it happens I did first talk to Christopher at BICS 2008.

I have set the times of 4-5.30pm on the Saturday and 11 - 1 on Sunday when I (Nic Wilkinson) am guaranteed to be on the stand to look at pitches and portfolios.

I need to go to Bryan Talbot's Grandville talk more than anything else in the world right now - so don't expect to find me anywhere but listening to the master in rapt attention from 2.30-3.30 on the Saturday!

However, if you do walk up to the stand at other times and I am there then I will be more than happy to talk to you. I'll be easy to identify, on the stand if you are looking for me in particular. I'm the only female one on the Insomnia team, I have very long blonde hair, and I'll be dressed all in black.


Q: Is it better to wait until after "show hours" and come and make a pitch in the bar?

The answer to this one is by all means come up, introduce yourself and let us know you have a story to pitch or art to show us (if you know who were are without the stand backdrop as a clue). We'll be pleased to meet you, and it's good to put faces to names, but mostly we'll ask you to drop by the stand the next day for a proper chat about your work.

The bars tend to be incredibly noisy, for one, with lots of people coming by and interrupting (and god forbid that anyone should spill drink on an art portfolio!). Unlike certain other events where is there is one central bar because the con is in a hotel, there is no bar in the city you could guarantee finding everyone.

Q: How can I be sure you won't steal my ideas?

A: Well, the short and flippant answer is that you either trust a publisher, based on what you have heard about them, or you don't.

I could say "trust me", but everyone will say that, right?

We could put up NDAs for us to sign for all creators, but that is not practical.

So, here is my case for why you can trust us, in particular, and it mainly comes down to our committment to all our books being creator owned:

1) We don't have on-going characters in long running series that have writers assigned to arcs. This means we couldn't take your idea for "character X" and just let someone else write it.

2) As our books are all creator owned we don't "commission" books (the closest we come to this is our "By Invitation" focal point series, but the stories still have to be submitted by the writers we invite) so we cannot take the core of your idea and just change something cosmetic like the location it is set in and say to someone "write me a story like this...but put it in space and with robots not vampires".

3) As our contracts are essentially "licences to exploit" (I won't go into the specifics of what that means here) it basically means we do not own the intellectual properties as publisher, the rights stay with the creator, so there would be no direct advantage to us in "stealing the idea" - even if both the above points did not apply.

4) All our Contracts have a clause where the creator must state that the rights for the idea belong only to them. This is a statement made in law, on a witnessed contract, so if it were proven not to be the case it would be a very serious matter.

5) All submissions that we do not sign are deleted so there is no danger of old files hanging around and being seen by anyone who would have no business getting hold of them in any way.

Of course, it must be said, that there is such a thing as "parallel evolution" and sometimes we do get submissions for stories which are very similar as the idea has occured to multiple people who have never met.


Q: Do I need to do any specific preparation or send you anything beforehand?

A: It's not necessary, but for writers in particular it can be useful to have done so, and you can email us at submissions@insomniapublications.com if you would like to.

I will be making sure I check the submission box every hour or so between now and Friday am.

If we have seen an initial email about your idea or a sample of script, when you come to talk to us we can ask you intelligent questions about it, and make the best use of your time when we get to meet face to face rather than just using that time to tell us the outline idea.

By being able to jump straight to this point you we both get a lot more out of the chat. If we like the idea then we are bound to ask you to send more detail on it anyway.

Q: Will I get a decision on the day?

A: It's very, very, unlikely.

If you are an artist then we will be able to tell you whether we think we could have work for you now or in the future. If we think we have a book that would work with your art style and we are looking to sign up an artist to the creative team right now we will still need to send you a script to look at to see what you really think of the story as written, not just as we describe it to you, ask you to do some characters sketches or test pages specific to the book, and we will need to show your samples and sketches to the writer who may not be there on the day.

If you are a writer who we are talking to for the first time about your idea we will be able to tell you if we think the concept sounds like something of interest to us, but we will need to review your pitch document, and no doubt come back to you with questions.

In both cases the work will likely need to be reviewed by other members of the Insomnia Team as well as the individual you speak to as part of our submissions process .

Having said all that it does sometimes happen (and it has with a couple of books, but always when we have already seen a pitch and been in conversation by email, so it was really more of finalising a contract offer), but even so it is still more likely to be at the end of the weekend once the team have had a chance to chat, rather than in the first conversation.

Q: If I am very nervous / don't like pitching face to face / am very short of time and need to catch my train home / feel I express myself better on paper etc can I just leave a pitch package with you?

Yes you can.

This sounds obvious, but make sure it has your name and email contact details clearly marked on it.

Q: What format should I bring my work in?

A: It doesn't really matter as we will not refuse to look at something because it is not in the "right format" or on the "right media".

A great story to illustrate this comes from the last Bristol Con where I met the incredibly talented Jennie Gyllblad, who is now working on the Graphic Novel Butterflies and Moths. She wasn't even intending to show a portfolio that day, but talent will out. I wrote up the full story a few months back when we signed her.

Having said that, the team that does the submissions reviewing is split between London and Scotland so putting it on a CD or DVD so we can all get an electronic copy of the files is probably easiest. If you do bring a disc please can you write your name and contact email on the disc itself as well as the documents inside, just in case there is any problem with opening anything? Technology is not always our friend!

Of course paper submissions can be scanned in by us for sharing after the show, so don't worry if you need to bring a paper submission.

For artists - if you are bringing a portfolio of orginal work then please could you bring some copies that you can leave with us.

Don't leave precious originals with us, as we are unfortunately not able to return submissions.


Q: Do you have a "House Style" I should be aware of?

A: Not at all.

We do not have an "Insomnia Style" for writing or artwork, in fact we are always on the look out for creators who want to use the medium in new and innovative ways.

In terms of art we do colour, black and white and greyscale books, so there is no need to think that if you don't work in a "mainstream style" that we would not be interested. In fact we are likely to be more interested if you don't.

Q: How long should my pitch be?

A: This is one of those "how long is a piece of string?" questions really. It's related to the "do you need me to give you the 2 line Idiot Pitch" question that has come up a lot as well.

This might be quite an involved answer - so stay with me:

Firstly, I always say - "tell me all you think I need to know to understand your story, your skills, and to make a decision".

Many publishers do have very "on rails" instructions for how you should pitch. It has been suggested to me in the past that we do this, but I think all this achieves is to exclude creators and stories that the specified pitch format does not suit.

For me, my way does mean (hopefully) that I learn quite a lot about your creative style and working style (which is important when putting team together) through the pitch itself as well - and like any other first impression you are trying to make with anything make sure it presents you in the light you want to be viewed.

Secondly, as regards the "idiot / high concept / elevator pitch" as it is variously called I think this is one of those "editor preference" things.

There are pros and cons. Of course a short snappy pitch may catch an editor's attention and get you into a conversation, but the danger is the X meets Y format as a shorthand description carries the danger of making your work sound derivative or generic.

I have said to people in the past- by all means sum it up if for me like that if you want to, but if I have a positive reaction the first thing you will have to do is be prepared to go into a deeper level of detail based on the questions that will follow in quick sucession. Me, for example, I am likely to ask you about themes and character development and interaction, providing I like the idea of the basic plot. Without getting all "russian formalist" about it - the "what happens" is just the starting point for me

Bascially, though, being able to devise a snappy "elevator pitch" tells me you are very good at devising snappy elevator pitches. That might tell me you would be a great marketing or advertising copywriter, or even that you have the ability to think up great ideas for books - but won't tell me anything about your ability to write comics.

Another reason I like to get as much detail as possible is that some stories that sound superficially similar can in fact be very different in terms of execution, and you don't want to be turned down because "X meets Y" sounds too much the same at that level as something we already have signed, or is out there already.

No publisher is going to sign a book before they have seen some of your actual script writing, anyway, so really all of this is about "selling the concept" to get to that stage.

Q: Does it matter if I don't have previously published work to show you?

A: No.

We will need to get an idea of your style, whether writer or artist, but it is your talent that is important to us.

The fact that your work may not have been published in the past may be more to do with timing, marketing climate (eg What's hot!), what else a publisher had on, how full publication schedules were, that you are just starting out etc and we are aware of all of that.

Q: Is there anything you aren't looking for:

A: This is tricky as there are no real hard and fast rules, but in general:

• We are not looking for on-going series
  
  
• Our graphic novels are a minimum of 90 pages and a maximum of 180, so not comic sized "one shots" and not thousand page epics.
  
  
• We aren't looking to develop an "Insomnia Universe" so you cannot pitch stories that involve characters from other Insomnia books. The creators own the rights to those characters, not us.
  
  
• A graphic novel can be written such that it has scope for sequels, but volume one will need to be a complete and satisfying story in its own right. Sequels are usually signed based on the reception of the first book, but we do sometimes sign multi-volume stories. If you pitch a multi-volume book, though, we will need a synopsis for the full thing. We aren't looking for open ended maxi series.
  
  
• In terms of content we are unlikely to sign the following: straight ahead Superhero books, autobiography (historical biographies may be suitable for Vigil though), romance, light comedy or slapstick, big space opera, illustrated novels.
  

However - if we saw a pitch outside of our usual territory we may consider it if it is has something really different to say.

Q: Who will be on the stand?

A: From Insomnia there will be (at various times):

1) Crawford Coutts, MD and publisher
2) Nic Wilkinson, Creative Director
3) Alasdair Duncan, Sales Manager
4) Martin Conaghan, Vigil Editor (and writer of Burke and Hare)

There will also be a lot of our creators around, sketching, signing and happy to talk about their work, and how they came to be signed by Insomnia, including:

• Cy Dethan (writer: Cancertown, Indifference Engine, The Ragged Man)
• Stephen Downey (artist: Cancertown)
• Will Pickering (artist: Burke and Hare)
• Michiru Morikawa (artist: Buskers)
• Jeymes Samuel (story: Buskers)
• Simon Wyatt (writer / artist Unbelievable)
• Richard McAuliffe (writer: Damaged Goods, Snow)
• Valia Kapadai (artist: Snow)
• Peter Forbes (writer: Oz Fall of the Scarecrow King)
• Andrew Croskery (writer: Kronos City)
• Alex Willmore (artist: Kronos City)
• Lauren Ann Sharp (colourist: Kronos City, Quarantine)
• Luke Foster (writer: Dream Solver)
• Chris Wildgoose (artist: Dream Solver)
• Kev Crossley (artist: Sidhe)
• Stephen Aryan (writer: Empyre)
• Steven Deighan (writer: Gravemaker)
• Adam R Grose (artist: Conway)
• Christopher Barker (wrtier: Shiver)
  
• Chris Lynch (writer: The Fictionalists)
• Richmond Clements (writer: Pinkerton)
• Martin Hayes (writer: Crowley: Wandering the Waste)
  

WIth several more to confirm.

Of course I won't be able to give anything to stop the butterflies, or the shakes, or your mouth going dry, or the ability to stop your tongue suddenly developing a mind of its own - but hopefully at least people will know that we know that's what they're going through - and to be honest, your work SHOULD mean enough to you that it is nerve-wracking to offer it up.

See you at the weekend!

Countdown: BICS-4 weeks

Here we are at BICS-4 weeks, more on this below, but first over to Crawford Coutts for the low down on what happened at the MILK launch and exhibition opening:

MILK Delivery

On Thursday night, MILK, the graphic novel and the exhibition, were launched at the Fine Art Library, located within Edinburgh’'s Central Library.

Around 50 people (significantly over capacity!) attended the hour-and-a-half long event – including a large number of the Edinburgh and Glasgow comic creators, numerous family members and former co-workers of Stref and some longer-distance folk who’d travelled up from London just for the launch.

Many other Insomnia creators came to see the event, reporters from the local Newspapers and even a Film Producer. Thankfully, we purchased more wine to cater for the large number of people! It was incredible to see such a brilliant turn-out and Stevie seemed delighted to see so many familiar faces that he’'d not seen for many years!

Piles of signed copies of the book rapidly disappeared and we received an endless stream of compliments about the art, production and print quality. I don’t know if this was the alcohol talking, but the enthusiasm and excitement about the book and exhibition was extraordinary!

We also had copies of Cages and Cancertown on sale at the event along with previews of other titles currently in development.

We received lots of interest from the Directors of the Libraries and the Edinburgh Art council in the hope we can work together more in the future, provisionally continuing the MILK exhibition to other libraries and looking at future Insomnia exhibitions and running similar workshops and events to the pilot scheme we’ve been running at the Essex Libraries.

After all the wine was consumed, many books were signed and sold, Winker Watson’s final outing original pages had found new homes, our first exhibition and book launch came to a close.

“To the Pub!”

A saying that is customary after these sorts of events, or so I'’m told.… We headed across the road to The Villager where some great networking took place, and lots more alcohol was disposed of.

Thank you very much to everyone who attended the launch, I am very grateful for your support and your interest in what we’re producing.

I'’m very grateful to the library staff who were extremely helpful with the organization of the exhibition, preparation and running of the launch. I look forward to working with you again in the future.

Also a big thanks to my better half, Audrey, who ran the “bar”, with the help of our good friend’s Corrie and Richard, who ran the signing table and till for the whole evening.

And finally, thank you to Victoria Wine for the loan of their wine glasses –the event would not have looked quite so sophisticated with plastic cups!

The MILK Exhibition continues until the end of September and the remaining copies of the limited edition signed copies of the book are now available from Amazon and all good book stores.

• Details of the Exhibition
• Details of the Book
  
• Buy MILK from amazon
  

BICS 2009 Update: Convention Special Offers

As usual we will be doing a number of convention specials on new and existing books.

This year the offers will be:

• 3 for £20 on all standard edition books
• Any special edition + one standard edition for £20

Standard Editions Con Prices

• Burke and Hare (RRP £12.99) Con Price £10
• Cancertown (RRP 14.99) Con Price £10
• Cages (RRP 10.99) Con Price £8
• Layer Zero Choices (RRP £9.99) Con Price £7

Special Editions Con Prices

• Buskers (RRP £14.99) Con Price £12
• MILK (RRP £19.99) Con Price £15

You can pre-order to collect on the day, or to be sent out by post (paid by cheque or paypal) so long as you order by 3rd October.

MILK and Buskers special editions are limited to 100 copies.

To reserve for pickup or to pre-order and for payment details you can email me at nichola[at]insomniapublications.com

Soon I'll be posting a list of our creators who will be at the show.

Burke and Hare Gallery Preview One

Looking forward as we all are to BICS 2009 we will be counting down to the big day by showing previews of the pin-up gallery from Burke and Hare as we gear up for the launch.

First out we have Stuart Beel, Stephen Daly and Nulsh:

By Stuart Beel
(and PJ Holden)

By Stephen Daly

By Nulsh

You can meet Martin and Will at the Insomnia stand at BICS 2009

New Artist Signing

Today (just in time for blog news update) we signed up an artist I have been wanting to work with for some time, and waiting for the right project to come along.

Ladies and Gentlemen, may I present Valia Kapadai.

Valia's work has already been in an Insomnia book, Layer Zero Choices, and she keeps up an incredible workrate with links to projects she is working on seeming to pop up every other day!

Valia will be working on Snow by Richard McAuliffe. We only had to see one page of sketches to know how perfect she would be for the story, nailing the look, mood and personality of the character right from the off.



More on this, and some previews very soon.

Valia and Richard will both be at BICS 2009, and we will have some limited stocks of Valia's mini comic on the stand as well.

Sharing the Love

Three loves to share this week:

• Michael Moreci has a prose noir short story Blurred Lines over on A Twist of Noir. You can also read more about the background on his blog.
  
  
• Adam R Grose has an ebook preview of Phoenix: A Warrior's Tale out for your reading pleasure. The book will be released through Clown Press on 13th of October. Described as an "an ‘onomatopoeia’ sequential graphic art novella , and illustrated by Tony Suleri it is something very different and well worth a look.
  
  
• The ever busy Geek Syndicate also have an ebook out, and this one includes sound and video! If you only know them from the podcast take a look and see what else they get up to, and find out more about the other parts of the expanding Geeky Syndicate Network.
  

And finally...

In our news snippets this week:

• You can catch me interviewed on Comic Racks this week. The Racks ladies Iz and Stace are both all kinds of awesome and made me really welcome.
  
  
• We are going to be at the London MCM Expo the 24th and 25th October, in the Comics Village section. More on this very soon.
  
  
• The Insomnia APA is taking shape nicely and is up at almost 70 pages now.
  

Phew - well, back to preparing for the events - we want to show you all a good time!