Zombie comics and films have saturated popular culture. Yet with Quarantined, your art has managed to create a very unique look and feel to the genre. What was your thinking going in?
Monty: The work I did for Quarantined is very mulimedia in the fact that on some pannels I have pencils showing through with brushed inks and zerox transfers all of which I scanned in as Linework in photoshop to give it all a solid black feel. I wanted the look to be scratchy and a little chaotic. While Zombie films have sort of hit mainstream media, I look at it the same way as I do music. If I were going to start a band it would most definitely be a punk band, even though punk has made it to the mainstream. I don't believe all possible options have been explored just because I can hear a few bands on the radio. Same holds true with the zombie genre.
Name the page from any book that you feel best represents your work as a colorist and what it is about this page that you think works.
Lauren: When I became a colourist I hadn't had a great deal of experience with graphic novels, so it's hard to say who's work best represents my own. I think that the way I colour came from my previous experience with fine art, specifically with J.M.W. Turner. He was an artist who fascinated me and while I don't claim to be any where near his standard, I tried to convey his themes digitally, with layering of colour and mood. So it's not a page from a book, but if it was, I'd say Turner's Snowstorm.
There is a political subtext in Quarantined particularly influenced by American paranoia of foreign cultures. Do you find horror, or zombies, lends itself to this sort of allegory and if so why?
Michael: For sure. I think that when you're working in a strict dramatic form and are attempting to deliver a political statement, that statement tends to dominate the narrative. In genre work, specifically horror and sci-fi, you can maintain political/cultural allegory through subtext. As a storyteller, that's important to me. And it's not only about how the theme and message is delivered; it's also about creating a compelling story at the same time. With horror, you can have those weighty issues--brain candy, if you will--balanced by action, suspense, and, most importantly, zombie chaos. The best horror tends to not exist in a vacuum; the most frightening works are so potent because they tap into something deep within ourselves, into who we are collectively or as individuals. This is the central focus of Quarantined.
With horror, it's easy to be dark and have that set the tone. Your tones, though, have a lot nuance, as evidenced in the first issue. How have you approached setting the mood of the book?
Lauren: I've tried to work alongside Monty's style in Quarantined. There's an uneasy undertone to Monty's work which I've tried to show in the colour. It is hard to find the right tone, especially with the first chapter mostly taking place in the dark. I had to alter the way I worked a lot to try and find the right balance on Quarantined. In my work on Kronos City a night sky can be many different bright colours, with stars and clouds etc. but with Quarantined it felt more appropriate to have a heavy black sky, with the characters as the only focus, as that's what Quarantined is about, the characters and how they are coping with this separation from the outside world.
You're in a zombie apocalypse - what do you do?
Michael: I'd need two things: crops and landmines. I think I'd pack up my family and hide away in Montana. I don't think I'm cut out for the "double-tap" shoot-em-up lifestyle. That being the case, I'd try my hand at seclusion and living off the land. With landmines--lots of landmines.
We all hope you enjoy the read!
Finally, well done to Dream Solver who received a mention in a review the Bristol Comic Convention, which can be seen here.
Check back next week, when we will be all about Damaged Goods...
Hello all at Insomnia. Did you miss the blog? It's back! All of us at Insomnia want to say a very big thank you to Nic Wilkinson for running it for so long and giving us all a very good read. It's been hard to start up again without her, but here we are, alive and well.
There has been a lot happening at Insomnia since the last update, so there are a fair few things we can bring you up to speed on.
There is a new artist joining the creative team, artist Song Ye, who will be beginning work on Celeste Sharp's novel Shock Theory. Here's a reminder of what it's all about:
"After a horrific tsunami, England is abandoned and forgotten; even by history. Rising from dark times, a single city known as Hubris is suspended in the Sky, providing a new life based on technology and social order. The N.O Government has put the clocks back to zero and reinvented London as a completely clean slate for a prosperous society and economy... But Hubris wasn’t just built on the ruins of London; it was built on shock. "
Set in a dystopian England, where the totalitation regime uses the Techframe to control its citizens using shock and sedation, Shock Theory draws on the dystopian heritage of George Orwell and Philip K. Dick, woven with theories of investigative journalist, Naomi Klein, to follow Eva and her companions as they attempt to unravel the sinister nature of Hubris and offer the only resistance to the tyrannical Dr.Shock and the New Order government.
Celeste Sharp:
"I'm so happy to have Song signed on board. I was immediately drawn to his style and talent. I'm looking forward to seeing Shock Theory's dark undertones resonate through his artwork."
And here is the talent Celeste spoke of:
In other news Andrew ' Kronos City' Croskery and Stephen 'Cancer Town' Downey along with Reggie Chamberlain-King (a writer in the upcoming layer zero) have started up a "blog-style anthology incorporating all types of creative media". Here's the blurb:
Tales Of The… is an online weekly blog-style anthology incorporating all types of creative media [...] its aim is provide a platform for N.Ireland creators to showcase film, artwork, prose, audio and just about any other type of creative endeavor you can think of.
A new piece will be published every Sunday and similar in style to “Tales of the Crypt“, “Tales of the Unexpected”, or “Tales of insert term here” we intend to create exciting fiction, without being tied to any particular genre. We will have the occasional theme, but for the most part creators and collaborators have free reign to create and share whatever they want.
Check it out here: www.talesofthe.com
There is new promotional material online for Unbelievable, due to be out later this year. Creator Simon Wyatt has been busy putting together teaser trailers for the book, which can be seen here.
And finally, the graphic novel Quarantined has been in the press recently. Since Michael Moreci has been working the cons on the other side of the pond, Quarantined has seen a fair few reviews along with Michael being interviewed by Gapers Block and the Graphic Novel Reporter.
Here are the recent reviews:
Check back next week for more...
Posts
All Comments
Posts
All Comments
